Tuesday, 6 December 2016

Ethnicity (race)

Ethnicity in the u.k 

Main 

- Caucasian 
- Gypsy
- Asian or asian British: Indan 
- Asian or asian British: Pakistani 
- Asian or asian British: Bangladeshi 
- Asian or asian British: Chinese 
- Asian or asian British: other Asian 


Ethnicity in the U.S.A 

Main 

- Cauasian 
- Latino 
- Black 
- Mexican 
- Native American 
- Inuits 

THE FUNCTIONALIST Vs THE MARXIST VIEW
Broadly speaking, there are two key attitudes towards depictions of race in the media: 
1)    The functionalist view, argues that program makers ‘cater for what the public wants’ and simply reflects attitudes, tastes and opinions on ethnicity;
2)     The other (the Marxist view) is that those in control of media output shape how audiences view race.
The functionalist view, like the ‘reflectionist’ view, argues that the media are merely a window on the world, implying that the media are inert industries which simply mirror real life. It overlooks the social construction of images in the cultural field, and the fact that a medium, such as television, constructs a reality and world of its own (Malik, 1998).
The Marxist view relies on the assumption that the ruling elite deny space and access for competing ideologies and images. Their argument follows that the media merely reproduce the ‘dominant ideology’ as a means of enabling the ruling class to maintain dominant over less powerful groups in order to establish a common consensus in society. Thus certain images of Black people as deviant trouble-makers, for example, are perpetuated by the media in order to encourage the mass audience to view blacks in a certain way. This, in turn, ensures that Black people are categorized as such and reinforce a dominant ideology that suggests that Black people pose a threat to civilized status quo.
The FUNDAMENTAL difference between the functionalist and Marxist viewpoints is the DIFFERING opinion as to whether the media alter or merely reinforce behaviour and attitudes. Of course, there are many whose views on media portrayals of race rest somewhere between the two or that cannot be said to neatly ‘fit’ into either category. (Malik, 1998). 

Malik argues: “Many feel that Black and Asian audiences are still not sufficiently catered for and that insensitivity towards issues of race and ethnicity still exist. The reality of a lived multiculturalism is not represented on British Television and the media in general can by no means be seen as ethically neutral.

Friday, 25 November 2016

Regional Identity

Andrew Higson (1998)
"identity is generally understood to be the shared identity of naturalised inhabitants of a particular political-geographic space - this can a particular nation or region."

Benedict Anderson (1983)
 maintains that the media play a vital role in constructing a national identity as in realty the nation is too big for everyone to know each other yet the often shared values," The unification of people in the modern world is achieved not by military but by cultural means, in particular the media system enables people to feel part of a coherent, meaningful and homogenous community.

Higson - "stereotyping is a form of shorthand ... a way of establishing a character .. that often reducing the character to the most basic form so that the stereotype often becomes comic.


Higson - ' No wonder then that a particular characterisation may be criticised for being stereotype meaning it lacks a realistic dimension, it fails to match up to the reality of identity." (1998)

Medhurst- "Awful cause not like us"

Colloquial Dialect.

Class

Theories

Keith Gandal's Theory ( 2007 ) states that Lower class people are portrayed to be "Cultrural other" Through fashions that deviate from the middle and upper classes. 

Andy Medhurst ( 1998 ) theory: " they are awful because they are not like us," ( the us is the middle class in media ) 

Richard Butsch ( 1992 ) said that working class males in the media are oresented as - " incompetent and ineffectual, often a baboon, well-intentioned but dumb. in almost all working class series, the male is flawed, some more than others."  

Keith Gandal (  2007 ) said that the target audience, of the t.v drama, are drawn toward "sentimental rags-to-riches story" because they like to think of poor people making it big and they hope they could do it if they had money. 

Downton Abbey

 Downton Abbey's poster has a lot of elements in it that could show that the people in the program are of a higher class. One of the more obvious of these elements are the costumes of the characters in the poster. They are mostly all higher classed clothes except the maid in the background of the characters who is lower class but still higher up in the work ladder.

Thursday, 17 November 2016

Disability representations

Bran from Game of thrones is disabled but has magical powers.

Jessica evans (1988) drawing on the works of a feuding other phchoanalysis,states :" disabled people are seen as childish dependant and underdeveloped and regarding as 'other' and are being punished by being excluded from ordinary life. thus popular images and rhetoric of disabled people abound which comfort us with people who are imperfect, helpless, un-attractive, disgusting, Shitty, dribbling." (Evans 1998)

As Cumberbatch and neurone (1992), Barnes(1992) and Longmore (1987) point out studies of the representations of disabled people and how they appear in a limited number of roles.

As Jordanova stated in 1989,
"The idea of otherness is complicated, but certain themes are common: the treatment of others as more like an object, something to be managed and possessed and as dangerous, wild, threatening. at the same time, the other becomes an entity whose very separateness inspires curiosity, invites inquiring knowledge."

Medhurst (1997) said that - " they are awful because they are not like us."

According to Evans "Old people in our culture are also segregated and treated as though they are waiting to die. There are close associations between dependancy, illness, dying and death. It seems that increasingly in our culture there are pressures that encourage a revision in infantile feelings which have to be madly defend against" - (1998)

Call girl ...

In this clip from secret diary of a call girl ... We see a woman, disabled man and a man in an apartment. The key events in this clip are, Man in a wheelchair entering flat with dad and a woman. Awkward moment happens with dad. He leaves. Girl and man make-out on bed. Switches to Dad outside... even more awkward.

 In the first shot is a medium long-shot of a woman's back. She is wearing a skimpy outfit and she is opening a door to her apartment. The music and sound is non-dijetic music from the opening credits. At the moment, there is no supporting or going against the theories in this shot because she is not disabled. However in the next shot, after she has opened the door, we can see a medium long shot of the young man in a wheelchair and this is how we can feel he is disabled. The angle of the shot is a high angle so we are looking down on him which could connote that he does not have the power in this shot. This shot distrust the theory of Jordanova because we are looking down on him which does not relate to the term she used,"-and possessed as dangerous, wild and threatening." He is actually seen as helpless and innocent which supports Medhurst's theory of, " they are awful because they are not like us."


In the next shot after this, we see a medium close up of the man in the wheelchair wheel himself into the apartment. This is done with no music at-all and it is still a high angle. However, the fact he is wheeling himself into the apartment disrupts the theories of Jordanova and Jessica Evans which say that disabled people are useless and cannot do anything for themselves. After this shot, We see the father behind the man in the wheelchair and he asks the dad to get the envelope out of his bag, this is to pay the lady. It is still a high angle shot which strongly still disrupts the theory of Jordanova but supports the theory of Evans which states that disabled people are imperfect. What the disabled character is wearing disrupts the Medhurst's theory of ' They are awful cause they are not like us.' because he is wearing normal clothes that everyone else would wear.

Wednesday, 9 November 2016

Youth

Stanley Hall 1904 - young people seek excitement through drugs, sex etc
Hedbridge 1988-
Osgaby 1988-
Medhurst- they are awful because they are not like us

How are youth stereotyped in this clip?

. TROUBLE AND FUN - MUSIC
. EXTREME CLOSE UP - ZOOMS OUT MEDIUM LONG SHOT
. MISE UNSCENE - DUVET COVER WITH NAKED PEOPLE LINKING TO HALL
. DIJETIC MUSIC
. SLUTY- SEX - HALL
. POINT OF VIEW SHOT
. HAND HELD SHAKY
. 1.2.1.2 SHOT
. WINDING UP HIS DAD- FITS IN THE STEREO TYPE
. TIDY
. EYE LINE MATCH - HALL



the opening shot is an extreme close up of the main character of the main character Tony's face. it then zooms out into a birds eye medium shot that reveals an interesting miss un scene choice as the duvet cover has a naked man and women on it. This miss un scene choice supports the Stanley Hall 1904 theory that all young people seek excitement through drugs sex and criminal behaviour. To contrast this, the protagonist is awake before the alarm which disrupts Hall's theory by making the teenager organised and not late waking up. To support this further, his room is tidy and organised when we see a cut-in medium close up shot of a drawer and him pulling out a neatly folded shirt. The shirt itself is disrupting the stereotyping of what youths wear.

Ine the next shot, a medium close up, we see the sister of the main character wiping off old make-up. This supports halls theory of all youths seek excitement through drugs and sex becasue she has obviousy hasnt had time to take of her make-up because she stayed with her boyfriend.



Thursday, 20 October 2016

Sexuality

In T.V drama, Sexuality is explored in the queer theory.

'Theorist ANDY MEDHURST (1998) claims that sexuality disrupt representation claims, like those made by Dyer (“How we are seen determines in part how we are treated; how we treat others on how we see them; such seeing comes from representation” Dyer, 1993), because in the REAL world you cannot ‘see’ sexuality. Unless someone tells you they are homosexual you have no way of knowing.'

“Films and television comedies are full of images of gay men as effeminate screaming queens…It chooses that aspect of gay male behaviour (SELECTION), inflates it into the defining male characteristic of male homosexuality (MAGNIFICATION), then establish it as the most easily recognizable image (REDUCTION).”

“The ideological implications of stereotyping are obvious, since groups most liable to be stereotyped are those with LESS social and cultural power; indeed one crucial distinction between powerful and less powerful social groups is that the former hold the ability to stereotype the latter.”

“Stereotyping becomes ideological the moment it stops being simply a method of description and becomes a vehicle for values: the image of the screaming queen does not just mean ‘all gay men are like that’, it means ‘all gay men are like that and aren’t they awful’, which in turn means ‘and they are awful because the are not like us.”

https://www.youtube.com/watch?v=u5upbNkAWgY

Thursday, 13 October 2016

Gender

Laura mulvey - 1975

"As erotic objects of desire for the characters within the story, and as erotic objects of desire for the spectator"

David Gauntlett 2002

" Images of the conventionally rugged super independent Extra strong macho man still circulate in popular culture"

Mackillon 2002

In 2002 Mackillon said males are now used in the similar was as women, in so far as they are being presented sex objects and are seen to be more image conscious and sensitive.

In 1975, feminist critic Laura Mulvey publish a paper entitled; "Visual Pleasure & Narrative Cinema," decades later her theories can still be applied to TV drama, film and media products like magazines.

Mulvey, summarised the role of female characters in traditional media products through saying that they simply function on two levels: “As erotic objects of desire for the characters within the story, and as erotic objects of desire for the spectator.”  (Mulvey, 1975).

In short, using sex to sell is one of the most common tactics used on any media product. If you want to attract a male audience putting an attractive woman in a sexy pose on the cover will probably get their attention and sell your music magazine. 

Contrary to some of Mulvey's feminist ideas, this does not automatically put off female readers because some women in the secondary or primary target audience may feel the woman represents them because they want to be seen as a sexy attractive woman themselves. 


Also, it is worth noting, since 1975 times have changed and men are now used in a similar way to women to sell magazines to a female target audience. In other words, female sexuality is recognised and sexy men are put on products to attract women. As the example shows, even magazines pitched at young teenage girls use this tactic because there is a topless man in one of the minor images and Justine B. is posed showing off his figure while looking flirtatiously at the potential target audience. 

Males:
- Strong and attractive
- Hero
- Masculine
- Have jobs and go to work

Females:
- Sexualised
- chores
- house work
- usually the victim
- skinny
- Attractive


https://www.youtube.com/watch?v=MgVvswGSZPo
https://www.youtube.com/watch?v=Z6UUAE2CXXM

Saturday, 8 October 2016

Editing

There are many ways to edit a peice of film... The most famous ways are below...

- Transition-
- Continuity editing 
- Axis match 
- Cross cut/ Parallel cut 
- Direction match 
- Dissolve 
- Duration and pacing 
- long take
- Eye-line match 
- Fade in 
- Fade out 
- Graphic match 
- Iris in 
- Iris out 
- Movement match 
- Wipe 
- Straight cut 
- Jump cut 
- Sound bridge 
- CGI 
- Slow motion/Fast motion 


A short video explains a few of these

Thursday, 6 October 2016

Sound

Three main sound guys 

- boom artists 
- sound recorder 
- sound editor 

Dijetic- stuff the people in the film can hear .voices. radio. objects
Non-digetic- only audience can hear .music for suspence . narrators commentry .sound effects  

Sound is recorded separately to footage. 

Title music - theme tune - https://www.youtube.com/watch?v=aQqC6_6Wf0M
synchronised sound- sound synchronised with footage - https://www.youtube.com/watch?v=FmxSk0wZxss
chord music - instrument music.- https://www.youtube.com/watch?v=meK0G3o9mPw
sound motifs - sound that is associated with a a certain character . Jaws-https://www.youtube.com/watch?v=5tMqcARKRSE
sound effects - sounds added to create effect - https://www.youtube.com/watch?v=aQfZ13MiZjo
Dialogue- characters speech -https://www.youtube.com/watch?v=AlyYBtASteQ
voice over- characters thoughts-https://www.youtube.com/watch?v=meK0G3o9mPSteQw 
ambient sound- natural background sound . https://www.youtube.com/watch?v=gBFTk59j4S0
sound bridge- running between two shots- https://www.youtube.com/watch?v=AlyYBtASteQ





Thursday, 8 September 2016

Camera Shots

There are a large range of camera shots from long shots to close up's.  Below i have filmed the main shot types...

Shot Types; 

Extreme long shot
Medium shot
Long shot
Extreme close up
Medium close up
Medium long shot
Cut in
Close up

Camera angles 
Eye level
Low angle

High angle
Birds eye
Worms eye
Film: 







There are many types of camera movement. The main five or six are below...

Hitchcock/vertigo/ Zoom dolly

https://www.youtube.com/watch?v=rW23RsUTb2Y

tracking shot
https://www.youtube.com/watch?v=cbqv1kbsNUY

Zoom in/ zoom out
https://www.youtube.com/watch?v=6esR4uGEFCc

Tilt/Pan shot
https://www.youtube.com/watch?v=Slu6Leds5IA

Dutch tilt
https://www.youtube.com/watch?v=Xu-JZVBp_1A

swish pan
https://www.youtube.com/watch?v=d3e3Ky4evGo